5/16/2023 0 Comments Stereo sound reference record![]() ![]() ![]() However, it’s a great tool for checking your mix, hearing subtle phase issues, and making sure the overall balance is dialed in.If you can expand your horizon to three mics, look for the CD version of the TelArc Digital release of Frederick Fennell/The Cleveland Symphonic Winds release of Holst, Handel and Bach. You don’t want to exclusively mix in mono because you want to take advantage of all the great things stereo mixing offers. You can simulate that experience by checking your mix in mono to see how the average listener is going to perceive it. By the time the sound gets to their ears it’s going to appear mono anyway because they aren’t perceiving the left and right channels separately. Most listeners are going to be in their car, or listening on stereo systems where they’re not actually in the sweet spot. Listening in mono can help you hear what’s going on in terms of phase relationships, which can be a massive help.Ĭhecking your mix in mono can tell you how well your track will translate to other playback systems too. Collapsing the field to mono will give you the best representation of the actual balance.Īnother advantage of mixing in mono is the ability to check phase, especially if you’re using any stereo expansion/widening plugins on mono sources. When you start to throw instruments left and right in the stereo field, you could get the false sense that something is the optimal level because you’ve moved it out of the center. One of the biggest arguments in favor of mixing in mono is that it helps get the volume balance right. By and large, the world’s top engineers will tell you that they don’t mix in mono exclusively, but will briefly check their mixes in mono. Mixing in mono vs stereo is a question that pops up all the time. The differences in each performance establish width. A very common technique is double-tracking rhythm guitars, for example, where you record the same part twice and pan each recording hard left and right. It’s possible to simulate this effect with mono signals as well. The result is a wider, more spacious sound and you will hear the slight differences between the left and right channels. Stereo recordings use two microphones on one source and pan each channel left and right. We set up a single mic to capture a source, whether that’s a vocal, an electric guitar or bass, a keyboard, etc.įor ensembles, drums, piano, acoustic guitar, and other instruments, engineers use stereo recording techniques to capture them for added width and dimension. When it comes to recording, a majority of what we do ends up being a mono signal. Understanding the fundamental difference between mono vs stereo is pretty simple. Stereo audio creates the perception of width and spaciousness, whereas mono audio sounds ‘centered’ and direct. ![]() What’s in the left channel is actually slightly different from the right and vice versa. ![]() Stereo recordings and mixes contain both left and right channel information. When listening to a mono recording/mix, we call it ‘centered.’ We’re still hearing it through a pair of monitors, but the sounds coming from the left and right speakers are the same. That’s because the same signal is coming through both speakers simultaneously. The information is equal on both sides, and the sound appears to be out in front of us. A mono recording still plays back on a pair of stereo speakers. Mono signals are recorded with a single microphone, and subsequently printed on an audio track with one channel. It can ultimately affect how your mix translates to various playback systems-more on that later! What is mono audio? If you’re new to mixing, you may or may not be familiar with the concept of checking your mix in mono. The difference between mono vs stereo sound is simply the number of channels used for recording and playback. ![]()
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